GOLF THEMED Side Table

The inspiration for the series of works comes from the four hundred year old grass folds on the Old St. Andrews stadium, where the golden curvature of Sir Alexander McKenzie's golf clubs is transformed into furniture fluid mechanics. The layered language of leather and metal reconstruction, those solidified in the quilted texture, is not only the aristocratic echo of the sea breeze sweeping through the pine forest, but also the sacred evidence of the spirit of contract in the digital age. The unique diamond pattern formed by the dot pulling technique contains elements of ancient Roman mythological shields, and every detail adds refinement and art. It is not only a pursuit of noble culture and historical heritage, but also a work of art that showcases identity.

The design philosophy draws from the cultural codes surrounding golf rather than its visual symbols. Golf, as understood here, is not a sport but a discipline — one shaped by etiquette, repetition, and generational continuity.

This side table translates that ethos into a domestic object: grounded, self-assured, and quietly precise. Its softened structure reflects the relaxed formality of European leisure culture, where objects are designed to serve life gracefully over time.

Rather than striving for distinction, the piece assumes its place naturally, embodying a design language rooted in tradition, proportion, and the confidence of permanence.